Jab Jab is a certified sub-genre of modern Soca
The Jab character is a staple of J’ouvert carnival celebrations and looks like the guy below.
The music itself is characterised by melodies with small ranges usually in minor with little harmonic movement. Check a Jab classic by the Grenadan boss Tall Pree below which explains the whole thing.
When it comes to Jab Jab tunes, the certified capital of the world is Grenada. and no one does Jab Jab like them.
So here are some of my favourite Jab Jab tunes from Grenada carnival 2017. ENJOY!
The early results from the Soca competitions are in.
This means that Barbadian radio rotation will now be based around the competition songs chosen to go forward
leaving the other 600 to die.
Before these songs go into the afterlife altogether though, let me try to keep five of them alive. Here is my Lazarus 5 of Crop Over 2017. a.k.a 5 songs that didn’t make it into the next round of competition.
- Makka Tree – Vybz I Love
I was introduced to this guy earlier this year when my Caribbean Ensemble from the Barbados Community Collge did the National Cultural Foundation’s Cavalcade. I was immediately blown away by his voice. Check this one produced by Quantum Productions.
2. Jafar – Bang
Like Makka Tree, I met this guy in person on the Cavalcade gig. This Bajan Dub song, although not progressing further, has all the qualities of a really good Bajan Dub song.
3. Aidan – Life Nice
This song, written by the Waterstreet Boyz and produced by super-producer Chris Allman, is in the tradition of the modern Ragga Soca. With a great hook and super saccharine melody, it should not be thrown on to the rubbish-heap. A good rendition by Aidan as well.
4. Chenice – Sweet Carnival
Like Life Nice, this is a modern Ragga Soca. Chenice does a good job here as well.
5. Contone – Come Back Tomor
Contone has been around a long time and has of late been battling his own demons. This year he reconnected with long- time producer, Anderson ‘Blood’ Armstrong to produce this. Like My Car Brek Down and 2 Sir Grantleys, this is Contone at his Bajan Blues best.
These are not all the songs obviously.
And I would be glad to hear more suggestions.
What are your five?
Here is my group’s offering featuring the super talented Jabari Browne. We didn’t compete with this but keep checking it anyway.
Last month I contributed to an article written by Sharine Taylor from Noisey.
Here is the link.
Bajan Dub is a big mover and shaker for Crop Over this year again.
If you want to call it Bashment Soca then fine…
Here is the Top 5 anyway.
5. Lady Essence – Fluffy Gal
The most prominent lady of Bajan Dub is back. Here she is keeping it like she normally does with Fluffy Gal.
4. Stabby – Wukkist
Stabby has actually been around for quite a while originally doing the “original” Bashment Soca. This beat is one of the freshest in Bajan Dub.
3. Stiffy – Tip and Ben Ova
Stiffy to me is one the biggest talents in the genre of Bajan Dub. Like Stabby, he came to prominence through Soca. This one has another fresh beat as well.
2. Scrilla and Faith – Gimme
This one is the only duo entry and could have easily gone to Coopa Dan and Rhea’s “Bare Trouble.”* This one gets a slight nod from me but not by much.
- Scrilla – Wood
This song is perhaps the biggest Bajan Dub song for the year and once again features Scrilla doing what he does best.
Enjoy theBajan Dub competition if you are in Barbados and if you are overseas please continue to watch this cultural space.
Crop Over has seen its first controversy for 2017.
For those not in Barbados, it concerns the release of Nikita’s song, “Same Way,” which basically was released 2 years before by DeeVine and called “We De Same.”
Check the links below:
For any artist involved in the Carnival music industry this mix-up is pretty much as life-shattering as they come and here are 3 reasons why I would be in terminal depression if what had happened to Nikita had happened to me.
- I spent plenty money!
To get any song out for Crop Over is expensive. There is the song-writer, the producer, the studio time, the mixing and the mastering to pay for. Those bills could run north of 5000 BDS easily. So to shell out all of that cash to realize my song is not the original work I intended would have put me in firm connection with the Kleenex box.
2. I look like a thief
Stealing is reprehensible no matter how and when it happens. It is even worse when it looks like a public heist of lesser known artist. If I was made to look like a hustler at best, or a thief at worse, when I am not even close to being dishonest, then I would be completely broken.
3. I have one shot at this.
The carnival music complex is a CRUEL model. It allows for no mistakes. So to have a single which is going to be my only major release for the YEAR caught up in plagiarism is possibly the worse thing that can happen. It can also rule me out of the lucrative lottery of the soca competitions.
Are there other issues in the Caribbean? Yes, they are.
But do not overlook for one minute the personal and professional predicament Nikita and the other members of the production team have been placed in. This is a serious matter of integrity that is being played out VERY PUBLICLY. So after reading this, do like me and place yourself in her position and if you come out positive, then you are as good as Nikita, Deevine and the Red Boyz.
But if you think you would be equally depressed…
You are not alone
I would feel DE SAME WAY!
Every two years I teach Caribbean Music and Culture to students from the University of Delaware.
These sessions are a mixture of theory and practice. And when I say practice I mean practice.
Check this Bajan Dancehall session below led by the amazing Shameka Walters.
Isn’t this great?
This to me this is the gift of all Afro musics, the lived community!
Big shout out to Juanita Clarke on drums who also made this session happen.
It is carnival season in the Catholic Caribbean.
And in the English-speaking areas,
the music of choice will be soca.
It wasn’t always this way
40 years ago it was all calypso.
In fact, many today still tend to refer to all singers at carnival time as calypsonians whether they do calypso or soca. But the difference between the two genres could not be more distinct.
And just to help out those that are still confused, here are the differences between soca and calypso.
Soca music has and always will be a party music. As a result, it keeps the beats heavy and the words light. Calypso, on the other hand, is the old guy who use to party but spends his time philosophizing about life.
If it says “Jump, wine , wave,bacchanal, carnival, jump” it is Soca.
If it says “existential threats to the diaspora need a panacea,” then chances are you are listening to a calypso. See Chalkdust singing a calypso below.
2. Hook line and sinker
If you missed the hook you definitely do not have a soca stream on. Soca repeats itself.
Even though there is repetition in calypso, it does not even come close to soca’s jump and wave stammering. Hear this classic repetition by Barbadian soca star Blood.
3. Brass less – drum machine more
Calypso songs generally have different instrumentation to soca, especially post 90s soca. Calypso songs are generally more organic (although not all the time) and usually feature a brass section of some type.
Here is calypso plus brass plus Singing Sandra.
Soca, on the other hand, is minimalist (not many instruments) with the drum machine, and laptops running Ableton, prominent. They also tend to be more synthesized.
Take “Advantage” of what I mean below ;).
Since the 90s, soca has been in two different time zones, mid-tempo and break-your-neck speed. An example of break-your-neck speed is Advantage above.
Calypsos NEVER EVER REACH these tempos.
So if you hear a song over 150 b.p.m. then it is CERTAINLY a SOCA song. Anything under 130 b.p.m, then it at least has a chance of being a calypso.
(Then you have to go from #1-3 to see if it actually is of course.)
5. Beats (Check out my book Caribbean Composers Handbook on Amazon for more)
Soca uses a number of beats and these have changed over the years. However, if you hear the following beats then you are dealing with a soca song.
Calypso is more than comfortable to maintain the beat like the one below and it has done so for many a year.
So wherever you are from, enjoy the carnival in the Catholic Caribbean but whatever you do, don’t call the soca a calypso.
The best thing about being an educator is seeing your former students grow.
One of them, Randy ‘Joe’ Moore, has gone into media and is currently producing a web series on Barbadian and Caribbean artists.
I asked Randy to answer a few questions on what the series is about. His extract is below along with a clip featuring the Bajan duo Porgie and Murdah a.k.a. Lead Pipe and Saddis from the show. Enjoy!
Being Featured started in January 2014 by Randy Moore (Host) after many years of constantly watching and being blown away by many of the talk shows on the international scene. After
completing a course in mass communication at the Barbados community College, an interest also grew in videography/photography and Randy decided to put the knowledge and resources
together and start an interview series called “Being Featured”. This series is here to further highlight talented individuals in their respected field (fashion,
music , film ,sports etc) and also an alternative medium to get talent out to the world. The program seeks to ascertain from the guest, information pertaining to how they got into their
field and any information fitting to influence a young person who would be interested in that area. The show has featured many well known persons which includes; Rhaj Paul ( fashion) ,
Biggie Irie ( reggae and soca artiste) , Sherwin Gardener( Gospel singer). In the future, viewers can expect to see and hear from those people who influence each and
every one of us and hopefully it will be an inspiration for some person to start to work at living their dream.
Every February/March the global art and film complex, well really the European /American art and film complex, gears itself up for the award season.
The interest shown in these awards is quite astounding, especially among those whose countries and cultural expressions (film, music, costume design, make-up) are not even remotely represented.
On my Facebook for example, (the measurement of all things cultural of course) people become very touchy when their favourite artist does not take home the miniature man/woman or gramophone.
Being honest, the awards are local affairs with only Britain, (a specific part of Britain let us not fool ourselves) and the US (the two coasts) represented. These two communities then pat themselves on the back for being so great. In fact, the rest of the world looks on, hoping, those involved in the arts that is, that somehow, some way, they too can perhaps be there thanking God and their nursery school teacher. In reality this is not going to happen and in fact, only a small subset of people from anywhere else get to have their speech cut short by the orchestra. The fact is, this isn’t your party mate/Caribbean person/West African/Aborigine etc. etc.
But we on the outside still care. We care what dress our actress we just paid or pirated to see in Movie Overblown II is wearing. We are concerned about if an actor that looks like us might get an award. Why? Because we are all junkies, junkies addicted to the American dream project. And who can blame us when drugs like this are available. Here is Rihanna accepting her Grammy award in 2008
You heard what she said? She said Barbados?? So come on awards season, help out this struggling addict and give me a surprise as I peep through the window at your party from the non-Western alley, like all good addicts do!