Bajan musical stories in November – Ragga Ragga


“Ragga Ragga” is a song written by Red Plastic Bag and released in 1993. Featuring Mac Fingall and produced by Nicholas Brancker, this parody of dancehall turned into a massive hit and changed Red Plastic Bag’s life. 💥 It also went on to have a whole life of its own in Colombia and Central America. 🌎🔥

Here is a performance from 1994, Congaline.

En Español

✨ Mes de noviembre – educación musical bajana 🎶🇧🇧

“Ragga Ragga” es una canción escrita por Red Plastic Bag y lanzada en 1993. Con la participación de Mac Fingall y producida por Nicholas Brancker, esta parodia del dancehall se convirtió en un gran éxito y cambió la vida de Red Plastic Bag. 💥 También tuvo una vida propia en Colombia y Centroamérica. 🌎🔥

Aquí hay un concierto de 1994 de Congaline.

Crop Over Music – The Periods – 50 Years

So, this year marks the 50th anniversary of Crop Over, and what do we academic types do with art that has been around a long time?

We analyse it and classify it.

Like other classification systems, there is no one cut-off point; instead, each one flows into the other.

Let me declare my hand now; these periods will deal with areas of creativity within Crop Over, which, in the case of Barbados, are mostly within the soca area (which really starts to come in the 2nd Period)

1st-period Ancient Crop Over Music  – 1974-1982

Music of the earliest Crop Over falls under here. The genre of the period is dominated by calypso. In short, this time is mainly based on Barbadian singers, musicians, and producers copying the music from Trinidad.

Key songs from this time:

The Mighty Gabby’s Mr. Harding from 1979.

The drum beat and the melodic construction from this song are all within the typical Trinidadian party calypsos of the 1970s. The instrumentation with the prominence use of “brass” (trumpets and saxes) also makes this a direct copy of what Trinidadian arrangers were doing then.

A similar work from this “Ancient Crop Over Music” time is Viper’s Ting Tong.

Not to sound like a stuck record, but this song, too, displays the characteristics of the Gabby song I posted before. I also want to highlight how melody and harmony work from this Ancient Crop Over Period. There is harmonic movement, and the melodies are less repetitive, especially in the choruses.

This song, Mr Harding from the young artist Red Plastic Bag, comes from the Pic-O-De Crop Competition. This competition is where the heavier lyrical content songs come to be judged in front of a panel, with a winner crowned the calypso monarch. The tempo and the extensive, and I mean EXTENSIVE, verses were typical of these songs, called social commentaries, from the Ancient Crop Over Music period.

The final song I want to post from this time is Jack from the Mighty Gabby. This song also entered the Pic-O-De Crop competition in 1982, but it is a far more uptempo song than Mr. Harding. The verses are shorter, and the melody is much more repetitive despite dealing with a social issue. This song marks the end of this period as the next period began to establish an indigenous Barbadian soca sound.

Catch me on the next blog post for part II – The Blue Wave Period.

Bonus Ancient Crop Over Music Song – Romeo’s Brother Fuzzy



Crop Over 2022

Crop Over is finished for 2022.

Here is my personal highlight:

the Barbados National Youth Steel Orchestra, led by Lowrey Worrell doing my arrangement of an Alison Hinds medley sung by Ambassador Alison Hinds herself.

Here is to a great Crop Over 2023.

Top Ten crop over Songs of all time

Crop Over is a summer festival held in Barbados. Originally it was a post-harvest festival held after the sugar season, but it was re-introduced in the 1970s as a carnival-like event.
Since its re-introduction, the festival has grown considerably to where it is now one of the main cultural events in the Barbadian calendar. Over the years, many songs have been released for Crop Over that fall into two genres:

  • Calypso
  • Soca
    The calypsos are usually written for the calypso competition while the soca songs are for the parties and the street celebration known as Kadooment.
    I will now give a Top 10 Crop Over songs of all time where I seek to narrow down the thousands of songs that have been released in these two genres. To get on this list, a song had to be:
  • A prototype of a particular period
  • A song that went on to change how music was being made in Crop Over.

So here is my Top 10 (not in any particular order).

Tek Off Something – Stiffy – 2016
1. Tek Off Something is the newest song on this list. It gets its place because it represents the Bashment Soca form of soca which is the favoured Crop Over genre by the current youth in Barbados. Bashment Soca is really a re-emergence of Bajan Dub from the 1990s, and the music was then re-branded and given a competition within the Crop Over Festival. Stiffy won the first-ever Bashment Soca competition with this song. Tek Off Something gets on the list, therefore, because it is a prototype of Bashment Soca. I actually call it Bashment Soca II because the original Bashment Soca I is different to this newer form.

Hard Wine – Lil Rick – 1996
2. Hard Wine is a song from the mid-1990s sung by Crop Over giant and Bajan cultural icon Lil Rick. This song gains its place because of the influence it had on later producers and singers. It was raw in its production and had Lil Rick chanting/singing in Bajan dialect. It started a whole sub-genre, Bashment Soca I, where bed-room producers came to the game with raw production and songs sung in Bajan dialect. This type of Bashment Soca was popular for another ten years and formed part of the soundtrack to Crop Overs of the early 2000s.

The Country Ain’t Well – RPB – 1989
3. The Country Ain’t Well was part of the calypso competition, called Pic-O-De Crop in 1989. It gets on the list because it represents the calypso writing style of RPB, who had the most success in Bajan calypso competitions. The RPB style is based around simple, singable melodies and lyrics that display the use of metaphor. This song is a prototype Bag and helped him win the competition in 1989.

West Indian Politician – Gabby – 1985
4. The other influential way of composing calypso is the way it has been done by the Mighty Gabby. Unlike RPB, the Gabby method is full of melodic complexity in comparison to other calypsos. Gabby loves chromatic notes, and he also varies the rhythm of his melodies between verses as well. This way has also been very successful at the calypso competition, with Gabby being the second-highest winner. Basically, Bajan calypsonians either utilize the Bag style or the RPB style in making their music.

Ragamuffin – Square One with Alison Hinds – 1996
5. Alison has been one of the leading female voices in soca, a genre that has been male-dominated since its inception. Ragamuffin represents the type of fast soca which emerged in the mid-1990s that was more sung when compared with the Bashment Soca I. This type of soca, like Bashment Soca I did not feature a lot of instruments and was considerably quicker than the other types of Soca, which were popular in the 1980s. Although Obadele was the first to win the most popular on the road with this type of soca, Raggamuffin because Alison Hinds sang it, is not only a prototype of this quicker soca in the 1990s; it also is the prototype female artist within soca and thus an automatic entry on this Top 10 list.

Pump Me Up – Krosfyah with Edwin Yearwood – 1995
6. The slower type of soca, known as Ragga Soca, is very popular at Crop Over. Though it has been renamed under the influence of Trinidad to Groovy Soca, it still forms a critical element of modern parties. The first soca of this type is Pump Me Up by Edwin Yearwood, which fused dancehall with soca music. This slower tempo, plus the way Edwin sings, was imitated by many and went on to have considerable influence in all carnivals in the English-speaking Caribbean. Pump Me Up was this a no-brainer inclusion to the Top 10 list.

Mr T – Grynner – 1983
7. Before the considerable changes in soca music in the 1990s, Grynner was the dominant sound of soca music in Barbados in the 1980s. Grynner’s sound was built in Eddy Grant’s Blue Wave Studio, and it basically involved a backbeat which is found across many genres as the drum pattern and then calypso percussion on top. In addition, Grynner’s unique Bajan voice carries the melody. This combination was very popular, and Mr T. represents this sound to a T.

Ragga Ragga – RPB – 1993
8. Although Pump Me Up was the most influential of the Ragga Soca songs, the song that opened the door of Jamaican dancehall mixed with soca was Ragga Ragga. This song gave Ragga Soca its name and is a definite inclusion on this list. It is on this, however, to represent the regional influence of songs released in Crop Over as Ragga Ragga was very popular in the Caribbean region of Colombia and Panama. It probably remains one of the most recognizable songs from Crop Over in that region and has a redone Spanish version (reggae en Espanol).

My Car Brek Down – Contone – 2006
9. Contone was a car-washer and part-time singer. His song My Car Brek Down was the most popular Bashment Soca I song ever and marked the end of that particular era. Some may consider this song a strange inclusion, but in my time on stage, I have never seen such a reaction from an artist as Contone received at that time.

All of We – Peter Ram – 2015
10. In 2021, the other sound that dominates Crop Over and Bashment Soca II is the sound of Red Boyz soca. The Red Boyz are a production team of Scott Galt and Mikey Hulsmeier with a garrison of hit songs since their 2006 debut album. In 2015, Peter Ram’s All of We, which was written by Shaft Bishop, a close associate of the Red Boyz, completely dominated 2015 Crop Over. The Red Boyz sound is based a lot on the re-introduction of 1980s style production of soca with live instruments frequently featured.

So there it is, my Top 10 Crop Over List to date. Do you agree with mine? Which other songs should be included?

6 Things (truths) NoOne wants to say about Crop Over!

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Crop Over is at an end. And here are some uncomfortable truths about it. Note, I am not saying whether these realities are good or bad, just shedding some light.
1. Crop Over is…
not about musicians it is about music. Musicians are largely on the side when it comes to the festival. Think about many of the events, how many guys do you actually see playing music? Even in production, they have been marginalised. If not for the calypso competition, they would have died off completely.
2. Calypso at Crop Over is…
only kept alive by government and kids. Calypso is centred completely on the national festival. Outside of this, no content is produced. This competition is, however, a loss-making exercise and if the government would withdraw its large largesse, the art- form, as it is known, would have died along with the cassette tape. The kid’s competition, however, is vibrant, due to the fact that is one of the few youth art competitions that gets full national coverage.
3. The tent system at Crop Over is…
an economic failure. The tent system was developed for a certain time for certain people. With the export of carnival came the export of tents. In modern times, this system is woefully expensive and dependent completely on the national calypso competition. It is attended purely for nostalgia and would have disappeared a long time ago if not for the taxpayer.
4. Crop Over is…
a carnival..despite the packaging. Not only a carnival but a Trinidadian franchise carnival. The clever entrepreneurs in Trinidad have managed to export the bead and feather, all-inclusive fete experience to Barbados in a big way. There is even a Machel Pre bank holiday show. Some might be screaming what about Bridgetown Market and the Literary Reading? These events are peripheral at best and the fact that there are no private promoters hosting crop over dance, crop over comedy or cane cutting competitions speaks volumes as to where the emphasis is with all-inclusive carbon copy events of boats, breakfasts, paint-and-powders, all whites holding sway.
5. Crop Over should have…
left Bajan Dub alone. Bajan Dub in 2010-2013 had an energy about it. It was young, it was underground it was urgent. Enter the re-christening as Bashmnet Soca and its entry into a competition for the festival. Also cue standardization, blandness, and boredom. The artists, through their need ( and rightfully so given how expensive the country is) for short-term cash, have killed the pig to eat the ear. Or killed the pig to have Lil Rick eat it.
6. Crop Over has….
killed any form of US type of industry forming in Barbados. The US type of music industry is the holy grail for many. From politicians to artists to technocrats, all of them want the glitz glamour and more importantly the US dollar from what goes on north of Cuba. In the early 70s, Barbados had the foundation for this. However, Crop Over killed that for instead of having music created and consumed all year round, all creative activity through Crop Over became confined to a six-week period where 300-500 songs compete for public space.
So there are 6 unpopular truths about Crop Over. I know many enjoy the festival as it is great fun and many won’t care about these truths but not bringing them to light is like wukking up in the dark. Fun for a while but dangerous in the long-term.
Can you add any more?

Crop Over 2017 – The Lazarus 5

The early results from the Soca competitions are in.

This means that Barbadian radio rotation will now be based around the competition songs chosen to go forward

leaving the other 600 to die.

Before these songs go into the afterlife altogether though, let me try to keep five of them alive. Here is my Lazarus 5 of Crop Over 2017. a.k.a 5 songs that didn’t make it into the next round of competition.

  1. Makka Tree – Vybz I Love

I was introduced to this guy earlier this year when my Caribbean Ensemble from the Barbados Community Collge did the National Cultural Foundation’s Cavalcade. I was immediately blown away by his voice. Check this one produced by Quantum Productions.

2. Jafar –  Bang

Like Makka Tree, I met this guy in person on the Cavalcade gig. This Bajan Dub song, although not progressing further, has all the qualities of a really good Bajan Dub song.

3. Aidan – Life Nice

This song, written by the Waterstreet Boyz and produced by super-producer Chris Allman,  is in the tradition of the modern Ragga Soca. With a great hook and super saccharine melody, it should not be thrown on to the rubbish-heap. A good rendition by Aidan as well.

4.  Chenice – Sweet Carnival

Like Life Nice, this is a modern Ragga Soca. Chenice does a good job here as well.

5.  Contone – Come Back Tomor

Contone has been around a long time and has of late been battling his own demons. This year he reconnected with long- time producer, Anderson ‘Blood’ Armstrong to produce this. Like My Car Brek Down and 2 Sir Grantleys, this is Contone at his Bajan Blues best.

These are not all the songs obviously.

And I would be glad to hear more suggestions.

What are your five?

Special mention.

Here is my group’s offering featuring the super talented Jabari Browne.  We didn’t compete with this but keep checking it anyway.

 

 

 

3 reasons why if I were Nikita I would go into terminal depression.

Crop Over has seen its first controversy for 2017.

For those not in Barbados, it concerns the release of Nikita’s song, “Same Way,” which basically was released 2 years before by DeeVine and called “We De Same.”

Check the links below:

 

 

For any artist involved in the Carnival music industry this mix-up is pretty much as life-shattering as they come and here are 3 reasons why I would be in terminal depression if what had happened to Nikita had happened to me.

  1. I spent plenty money!

To get any song out for Crop Over is expensive. There is the song-writer, the producer, the studio time, the mixing and the mastering to pay for.  Those bills could run north of 5000 BDS easily. So to shell out all of that cash to realize my song is not the original work I intended would have put me in firm connection with the Kleenex box.

2.  I look like a thief

Stealing is reprehensible no matter how and when it happens. It is even worse when it looks like a public heist of lesser known artist. If I was made to look like a hustler at best, or a thief at worse, when I am not even close to being dishonest, then I would be completely broken.

3.  I have one shot at this.

The carnival music complex is a CRUEL model. It allows for no mistakes. So to have a single which is going to be my only major release for the YEAR caught up in plagiarism is possibly the worse thing that can happen. It can also rule me out of the lucrative lottery of the soca competitions.

PAIN!!!!

To end,

Are there other issues in the Caribbean? Yes, they are.

But do not overlook for one minute the personal and professional predicament Nikita and the other members of the production team have been placed in.  This is a serious matter of integrity that is being played out VERY PUBLICLY. So after reading this, do like me and place yourself in her position and if you come out positive, then you are as good as Nikita, Deevine and the Red Boyz.

But if you think you would be equally depressed…

You are not alone

I would feel DE SAME WAY!

 

 

 

 

 

New Documentary on ConPong

Heah guys,

Some news

I am working on a documentary on the Bajan duo Contone and Pong along with the team from 13 Degrees North and Stuart Hall. For those who are wondering why, it is because this year marks 10 years since Contone’s mega-hit My Car Brek Down and we want to show what happened after.

Look out for a realease late in the year.

2016-07-10 18.40.55

Peace!

Looking Back at Bajan Party Past

Frequently in popular culture yesterday becomes the forgotten man.

Here is a video clip from Bajan pop culture past as calypsonian and I guess Soca singer, Bumba, destroys the party.

Seeing this now it is hard to imagine that guys actually played Soca without Mac Book pros and drum machines

but THEY SURE DID

It is also hard to imagine a Soca song such as this causing such HYPE

but IT SURE DID….

Congaline 94!

A throwback if there ever was one!

#RIPpartyinglikethis.

Just so Bajan Dub become Bashment Soca???!!!!!

Crop Over, Barbados’ major festival, has not been a place of musical surprises for some time now.

However, 2016 has produced a big one for me in the complete re-definition of the Bashment Soca genre.

In a previous blog post, I identified the common use of the term in Barbadian music circles and gave musical examples for the uninitiated. For those who missed it the link is below.

https://stefanwalcott.com/2014/05/23/what-is-bashment-soca-crop-over-blog-1/

Here also is soca artist Gorg speaking on Bashment Soca back in 2011.

The conversation is about the song below.

 

From the interview, we can hear Gorg reference Bashment throughout as this was the common term used to talk about the variant of Soca heard above.

However, this is not so anymore.

This year, a Bashment Soca competition has started which has music not sounding like the above, but as below.

 

 

And below

 

The examples above I considered to be Bajan Dub, a genre that I posted about with a Top 10.

https://stefanwalcott.com/2014/02/05/top-10-bajan-dub-dancehall-records-for-beginners/

Bajan Dub  has its routes/roots planted in the early 80s and had a resurgence post 2010. But this year it seems that is ALL now BASHMENT SOCA!

What the Bashment Soca/Bajan Dub has shown therefore is that genre is a very FLUID thing. Despite what many think, one cannot proclaim a genre and expect it to stay the same. It also shows that the creation of a genre comes from different places including sponsors!!! So despite what I say here, the fact that a lucrative competition has come about means that those that said Bajan Dub before will definitely be singing Bashment Soca now.

So to answer the title:

Question: Just so Bajan Dub become Bashment Soca???!!!!

Answer: YES!!!!???!!!!!