Check out a great review of the Trinidad and Tobago scene from musical brother and fellow blogger Nigel Campbell.
2014: Another Year in Music – a Review¹.
Enjoy.
Check out a great review of the Trinidad and Tobago scene from musical brother and fellow blogger Nigel Campbell.
2014: Another Year in Music – a Review¹.
Enjoy.
Christmas is an important event in the Caribbean.
Here are five musical genres that are/were rooted/routed to this time of year.
1. Tuk – Barbados
Tuk music is a fife and drum music. It is perhaps the only indigenous Afro-Barbadian genre to have survived colonialisation. At Christmas, Tuk groups would come through villages playing and drinking rum. Tuk music is hardly ever played at this time anymore and has moved into the realm of nationalist celebration.
2. Masquerade – Guyana
Masquerade is another fife and drum music with a strong musical similarity to Tuk. Like Tuk, the playing of it at Christmas has waned.
3. Plena – Puerto Rico
Plena is the one of the major indigenous Puerto Rican musical forms. The music is seen to have been created by English-speaking Caribbean migrants in the 1800s. It is also one of my personal favourites when it comes to Caribbean genres.
4. Parang – Trinidad and Tobago
Trinidad is one of the more cosmopolitan islands in the Caribbean. Parang shows the Hispanic cultural influence as it was traditionally sung in Spanish and uses instruments found in other folk cultures of the Hispanic Caribbean. There is a Soca-Parang variant that is popular but here it is in its traditional form.
5. Parranda – Venezuela
To end, here is a popular genre from Venezuela. Parranda sounds like a more rhythmically complicated version of parang and I am sure they come from the same root. Here is one of my favourite groups, Maracaibo 15.
So I hope you have enjoyed this brief Christmas blog.
All that I am left to do is wish you a
Merry Christmas!
Please enjoy it wherever you are.
Caribbean Music Man
This blog has just passed 6000 views!!!!
Thanks for your interest in Caribbean music and culture.
I really value every comment and view so keep stopping by.
Respect
Stefan ‘Caribbean Music Man’ Walcott
I am poor with lyrics.
In fact, I am dismal with them.
However, a number of lyrics have stuck in my head and really meant something to me over the years.
Here then is my Top Ten lyrics list (of Caribbean music of course, the US has enough lists to last for generations)
Top 10 Lyrics
What are some of yours?
Hello Readers,
Some news…
This blog has been recommended as a source for the CAPE Performing Arts’ music module. It also has been added to the reading list of the Critical Foundation of the Arts course at Cave Hill, EBCCI.
Thank you readers, you make it all possible.
Keep dropping by and sharing.
The following video is taken from Toby Gad’s Vblog.
In case you do not know of Toby Gad…
he is a pop producer from Germany.
On this Vblog Gad interviews Livvi Franc, a naturalized Barbadian, who at the time was signed to Jive Records. The thing is that although Livvi was producing music, the producer asked her to sing something from her island. Watch!
The original song from Barbados she is singing went like this.
The thing about the original is that it was seen by many as a joke! However, for better or worse, My Car Brek down is uniquely Bajan and thus representative of a certain kind of Caribbean identity that is seen as authentic.
Livvi could have easily sung Umbrella by Rihanna, but when it came to defining her culture, she chose Contone.
So take a bow Contone, you trumped Rihanna and to think they said you would never go international!!!!
Firstly, let me say that I, of course, would recommend my book, Caribbean Composers’ Handbook on Amazon.com for all of those interested in the actual music of Caribbean music but outside of that, here are some others. 🙂
1. Cooper, Carolyn. Noises in the Blood: Orality, Gender, and the “vulgar” Body of Jamaican Popular Culture. Durham: Duke University Press, 1995.
Carolyn Cooper is one of the premier academics on Dancehall culture in Jamaica. This book is seminal in how it seeks to re-examine the common perspectives on Dancehall. Even though she is an academic, the book is generally accessible and Cooper’s points are still valid some near 20 years later.
2. Bradley, Lloyd. Bass culture: when reggae was king. London, Viking 2000.
Bradley’s Bass Culture is one of the best overviews on Jamaican Reggae music I have ever read. Bradley takes the reader from the pre-sound system of the nineteen forties to the emergence of Dancehall. All the major figures are there from the three big sound system operators of the 60s to the early Dancehall pioneers like Yellowman.
3. Cowley, John. Carnival, Canboulay, and calypso: traditions in the making. Cambridge [England]; New York, NY, Cambridge University Press, 1996.
Cowley presents a well-researched book on carnival. Cowley provides a great volume of historical information on early Carnival. He also gives many 2nd hand references on important events, such as the Carnival riots and early Calypso competitions. A good one for those who have to teach calypso history.
4. Pérez Fernández, Rolando. A. La binarización de los ritmos ternarios africanos en América Latina. Ciudad de La Habana, Cuba, Casa de las Américas, 1987.
Pérez Fernández’s book is in Spanish. However, this should not put off persons who do not speak the language. Pérez Fernández ideas are fascinating and unlike many other academics, he deals with the musical sounds of Caribbean music. His main idea is that there was a process which changed African music into the folk music of the Americas we know today. The influence of this work is obvious as he is frequently quoted.
5. Guilbault, J. Zouk: world music in the West Indies, Chicago, University of Chicago Press, 1993.
There are few texts on Zouk in English, Guilbault’s book is one of them. Guilbault details the origins of this music as well as the identity implications it creates as a French Antillean identity emerges through Zouk. Guilbault also interviews the important players within the movement and provides transcriptions. Another plus is the inclusion of a CD which is also fantastic when dealing with music as a subject.
6. Kenneth M. Bilby and Michael D. Largey. Caribbean currents: Caribbean music from rumba to reggae. Philadelphia, Temple University Press, 1995.
This book seeks to be an overview of Caribbean music in general. It does a decent job within the introduction of describing the conditions which led to the creation of many genres. It also seeks to detail the important regions within the Caribbean giving summaries and identifying important figures. This book is a good entry into the multi-faceted world of Caribbean music.
7. Rivera, Raquel Z, Wayne Marshall, and Deborah Hernandez Pacini. Reggaeton. Durham: Duke University Press, 2009.
Reggaeton is possibly the youngest popular genre to have a book about it in the Caribbean region. This book is excellent and through the different perspectives of the contributors, we get a wide view on Reggaeton from its sexual to musical implications. If you want to know anything about the genre, seek out this text.
8. Lesser, Beth. Rub a dub Style: The Roots of Modern Dancehall, 2012.
This book is the only one that is available online free of cost as a pdf download. Beth Lesser said she did this to avoid the usual accusations leveled at outsiders who write about other cultures. Lesser’s book is good though and she details all the important figures in the genre; from U-Roy to Beanie Man. Pick it up!
9. Rohlehr, Gordon. Calypso and society in pre-independence Trinidad. Port of Spain 1990.
Rohlehr, like Cooper, was an academic from the University of the West Indies. Rohlehr is a literary scholar and in this book, he provides thorough analysis and documentation of the literary form of the Calypso. Rohlehr also details important historical events and how they impacted on the Calypso. It is a formidable text in terms of length so be prepared for the long haul.
10. Mauleon, Rebeca. Salsa Guidebook: for piano and ensemble. S.I. Sher Music 1993.
This is another book which deals with the sounds of the music. Mauleon is fantastic at providing the necessary listening for the genres she is looking at. She also provides direct transcriptions from these songs. As it deals with Salsa, Mauleon also transcribes from the lesser-known Puerto Rican genres of Bomba and Plena.
So there it is. Remember it is only “a” list and there are other fantastic books out there. Leave a comment for other books you would recommend.
1. Marley
There are several Bob Marley documentaries out there. This one is the newest and unlike the others, seeks to present Marley as a complex character. However, I still recommend watching “Caribbean Nights,” which is one of the oldest, to get even more perspective on this Caribbean musical giant. However, you can’t go wrong with this one.
2. Sons of Benkos
I see the Caribbean as a cultural area and this documentary focusses on a music type, Champeta, that is not from the archipelago. Instead this popular music form is from Colombia and is a fascinating fusion of popular Western and Central African music and Colombian music. Although Champeta has changed, this documentary shows its roots as well as a fascinating examination of the Palenque region, which is seen as the heart of African culture in Colombia.
3. Made In Jamaica
Made In Jamaica is one of my favourite documentaries on Jamaican music. It does not only have the talking heads as in most documentaries but live performances as well. Each performer is backed by one of the premier rhythm sections in the genre, Sly and Robbie and the sound is fabulous. If you are one that likes more than just info and bios, this documentary is definitely one for you.
4. Routes to Rhythm
5. This PBS documentary from the 80s is one of the BEST on salsa. Everyone is in here. Like Made in Jamaica, some killer live performances are also present. Watch all of it if you have any interest in Salsa music and Cuban music in particular, REQUIRED VIEWING!
5. La Musique Antillaise
This Banyan documentary looks at French Antillean music. Zouk is here as well as older traditional forms. A short and good watch and for non-French speakers like myself, it is in English.
6. Soca Power
Soca Power is good, it could have been better, but it is good. The documentary follows monster soca artists Bunji Garlin, his spouse Fay-Ann, and Machel Montano at Carnival. While not being fly-on-the-wall, it still manages to capture some of the excitement behind Carnival performances. Worth a watch.
7. Reggae inna Babylon
Reggae inna Babylon examines the music in the Caribbean diaspora as it focusses on the work of reggae artists in the nineteen seventies in the United Kingdom. The usual suspects Aswad and Third World are here, and though the documentary itself is not quite riveting, we get to see them in action at the time of their greatest popularity – for that alone it is worth a watch.
8. Puerto Rican Bomba : A Search For Our Roots
This documentary, like Reggae inna Babylon, is partially based in the Diaspora, but then again so much of Puerto Rican culture straddles that divide between mainland and diaspora. It makes the Bomba, a traditional folk form its basis and for those interested in the sound of it, we get break downs of the indivudal parts. It is detailed and very enlightening.
9. Straight Outta Puerto Rico: Reggaeton’s Rough Road to Glory
If you want an overview of Reggaeton, this is a good place to start. Despite the gawdy ads that seem to suggest a much less mentally stimulating offereing, this documentary manages to speak to the movers and shakers and highlight the events which were important to this genre as it emerged. With plenty of loud music and imagery, this one would keep you watching for sure.
10. Calypso Dreams
Calypso Dreams is one of my favourites on this list. It has singing heads as opposed to talking heads, and manages to find many of the calypso artists in their natural environment. Due to this, we hear them without the trappings of arrangements and stage mics. They instead have guitar accompaniment most of the time. If that wasn’t enough, a history of calypso is also given. Every one is here, even Roaring Lion – this is a must see for anyone interested in Trinidadian calypso.
John Roett is a Barbadian keyboardist par excellence and entrpeneur.
This year he put together a killer soca compilation of Crop Over 2014 music largely in response to the decline in (legal) ways to get Crop Over soca music. When asked for his motives, John said,
“Pirates take more than people have any idea of bro. If the artistes can get more, which is what they deserve. Then they can do better and better each year. It’s a business venture with benefits for everyone and for the industry as well.”
See the link to this wonderful venture below and it really is a best of the best of Crop Over 2014.
The best thing about being an educator is seeing your former students grow.
One of them, Randy ‘Joe’ Moore, has gone into media and is currently producing a web series on Barbadian and Caribbean artists.
I asked Randy to answer a few questions on what the series is about. His extract is below along with a clip featuring the Bajan duo Porgie and Murdah a.k.a. Lead Pipe and Saddis from the show. Enjoy!
Being Featured started in January 2014 by Randy Moore (Host) after many years of constantly watching and being blown away by many of the talk shows on the international scene. After
completing a course in mass communication at the Barbados community College, an interest also grew in videography/photography and Randy decided to put the knowledge and resources
together and start an interview series called “Being Featured”. This series is here to further highlight talented individuals in their respected field (fashion,
music , film ,sports etc) and also an alternative medium to get talent out to the world. The program seeks to ascertain from the guest, information pertaining to how they got into their
field and any information fitting to influence a young person who would be interested in that area. The show has featured many well known persons which includes; Rhaj Paul ( fashion) ,
Biggie Irie ( reggae and soca artiste) , Sherwin Gardener( Gospel singer). In the future, viewers can expect to see and hear from those people who influence each and
every one of us and hopefully it will be an inspiration for some person to start to work at living their dream.
