Viral

I saw this video below today.

And it has gone viral.

For those who don’t know, going viral is when a lot of people watch your content, and in his case some quarter of a million shares on Facebook alone.

The fact that this video had so many views will obviously offend some artists. All the techie videos on YouTube will tell you that this track is poorly produced, not mastered, has poor editing and isn’t even in time.

But you know what, and this is what I want whoever reads here to leave with:

GOING VIRAL HAS NOTHING TO DO WITH QUALITY!

Going viral has everything to do with DIFFERENT. BEING WAY DIFFERENT! (or having millions of dollars)

For example, a cat eating a mouse will not go viral. However, a cat eating a Mouseketeer might. Similarly, a plus-sized black female singer belting Amazing Grace with all the vocal tradition that is impeccably recorded will not go viral, however, a poorly recorded Chinese child in a village singing, in the same manner, WILL definitely be shared on millions of pages.

So artists, unless you are truly willing to be odd-ball or you embody the tradition of another culture, you can give up your dreams of being shared and liked and trolled.

Just keep focussed and remember with each post what you are hoping to achieve, if it is just to let others know you still exist or to get a specific gig, then that is cool. In fact, on a personal level, I prefer just one like than to have a production like “Take you to the movies”

It is so catchy though!!! Maybe I should re-think that.

Below is a cat viral video compilation that has more views than any of my work combined x 10.

 

 

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3 reasons why if I were Nikita I would go into terminal depression.

Crop Over has seen its first controversy for 2017.

For those not in Barbados, it concerns the release of Nikita’s song, “Same Way,” which basically was released 2 years before by DeeVine and called “We De Same.”

Check the links below:

 

 

For any artist involved in the Carnival music industry this mix-up is pretty much as life-shattering as they come and here are 3 reasons why I would be in terminal depression if what had happened to Nikita had happened to me.

  1. I spent plenty money!

To get any song out for Crop Over is expensive. There is the song-writer, the producer, the studio time, the mixing and the mastering to pay for.  Those bills could run north of 5000 BDS easily. So to shell out all of that cash to realize my song is not the original work I intended would have put me in firm connection with the Kleenex box.

2.  I look like a thief

Stealing is reprehensible no matter how and when it happens. It is even worse when it looks like a public heist of lesser known artist. If I was made to look like a hustler at best, or a thief at worse, when I am not even close to being dishonest, then I would be completely broken.

3.  I have one shot at this.

The carnival music complex is a CRUEL model. It allows for no mistakes. So to have a single which is going to be my only major release for the YEAR caught up in plagiarism is possibly the worse thing that can happen. It can also rule me out of the lucrative lottery of the soca competitions.

PAIN!!!!

To end,

Are there other issues in the Caribbean? Yes, they are.

But do not overlook for one minute the personal and professional predicament Nikita and the other members of the production team have been placed in.  This is a serious matter of integrity that is being played out VERY PUBLICLY. So after reading this, do like me and place yourself in her position and if you come out positive, then you are as good as Nikita, Deevine and the Red Boyz.

But if you think you would be equally depressed…

You are not alone

I would feel DE SAME WAY!

 

 

 

 

 

What is the difference between Spouge and Ska?

A week and a half ago a friend of mine asked me to help him explain the difference between Spouge and Ska.

For those unfamiliar with these Caribbean music genres let me help.

Spouge is an indigenous genre of Barbados which came to regional popularity at the end of the 1960s. For a brief synopsis check my video below:

 

Ska on the other hand is a far more famous genre which came out of Jamaica in the early 1960s. It achieved much more global popularity than Spouge and is seen as the direct forefather to Reggae.

So are there any differences?

The answer is yes! And these are heard clearly in the rhythm.

Caribbean rhythms have been largely shaped by Sub-Saharan-West African approaches.

In Western Africa, much of their traditional music is based around complex rhythmic concepts, see below.

 

What keeps it all together is the key rhythm, or what is referred to in Cuba as the clave.

This CLAVE idea is found in all genres which have been influenced by West Africa.

In Ska, their clave or important rhythm came out of the shifting of the accent in Jazz guitar comping (accompaniment) to the ‘and’ or off-beat from the down-beat.

So in Jazz it sounded like below (listen closely to the guitar from 50s):

 

But it changed to this (watch from 24s)

 

Visually it looks like this,

Guitar Srum Jazz Ed.jpg
Jazz Big Band Guitar Strum
ska-rhytmic-unit-edited
Ska Clave 

Next to ackee and saltfish, Rastafarianism and Usain Bolt’s feet, the off-beat strum has been Jamaica’s biggest contribution to world culture because from that one idea came a whole host of genres including Reagge.

Spouge on the other hand has a different clave or important rhythm all-together.

In Spouge, especially that of the Draytons Two, the clave looks like below.

spouge-main-beatedit

And is played like this.

Spouge takes no prisoners when it comes to this clave either as this rhythm is sometimes played loudly on the cowbell and on the drums as well (as was the case with Six and Seven Books of Moses above).

Because the clave is the most important rhythm in a song, all the other rhythms that go with it NEED to compliment it. This means that the rhythms from the:

  • Rhythm section instruments – bass, drums, organs, keyboards, guitars
  • Vocal melodies
  • Brass lines

All phrase and accent with this CLAVE rhythm.

This means that the surrounding rhythms in Ska and in Spouge are very different!

So in short the difference between Ska and Spouge is RHYTHM and in rhythm genres, you can’t get a much bigger difference than that.

Hope that helps!

* For more explanation on clave check out my Slideshare. 

http://www.slideshare.net/stefanwalcott

 

 

 

 

Kes Wine Up, Soca or Soca Impostor?

Today, I was tagged on Facebook to give my opinion on whether the following song is a Soca song.

Now genre, as I have discussed here before, all depends on perspective and there are arguments FOR this as a SOCA song and others equally compelling AGAINST it.

So without more “long talk,” here they are:

FOR

1. The song has been released for Carnival

By placing “Wine Up”in the context of a Trinidadian carnival means that it has instantly been placed in the lineage of Carnival music of which Soca is a big part. Song released for Carnival? It must be a Soca song.

2. It uses the beat

The beat underlying “Wine Up”, which I detailed in another blog but it is worth repeating as it is found in my Composers’ Handbook on Amazon ;), is a one of the main rhythms in Soca. It was not around from the beginning but has been there since the mega-hit “Hot, Hot, Hot” by Arrow. soca drums

3. It uses the chords

Music is made up of a number of fundamentals and one of them is harmony, or the chords of a song. This song, without getting too complex, uses the ones commonly found in Soca *

AGAINST

  1. The influence is Tropical House

2015-2017 has ushered a new stage in American/United States popular music called Tropical House.  I will not try to break down what it is in detail but basically, it utilizes the sounds of house (keyboard tones/drum beats etc.) and adds Caribbean rhythms. The most famous prototype of this and prototype is what it is about when it comes to genre, is Justin Bieber’s “Sorry.”

It is clear therefore that Kes is leaning on this in his song as opposed to other Soca songs.

2. Kes does not sing in a Trinidadian accent.

While Kes is Trinidadian, his accent went through the door in this song. Trinidadian phonology is a massive part of Soca songs. It allows Carnival to rhyme with festival when in other English dialects that doesn’t happen. So a Soca song without a Trinidadian accent doesn’t sound much like Soca.

3. Kes does not use much Soca melodic syncopation.

This one is a really a musical point. But in short, Soca is descended from Calypso which uses the following rhythm plenty in its melodic line.Cinquillo.gifTake my word for it, as there is little scholarly research anyway, the reason why Calypso and Soca melodies sound the way they do, is due in large part to the use of this particular rhythm.

Kes doesn’t use this one much at all!

4. Tempo

“Wine Up” is quite a bit slower than even the slowest Ragga Soca/Sweet Soca song (which is the slower of the sub-genres on the Soca spectrum). For a comparison, “Pump Me Up”, which is the grandaddy of this form, is about 110 b.p.m. while “Wine Up” is around 90 b.p.m. Since “Pump Me Up in 1995,” Ragga/Sweet Socas have continued to increase in tempo. This makes Kes’ 2017 “Wine Up” sound even less like Soca.

5. Kes does not sing about Carnival

While tribute to  women is a tried and tested Carnival theme, “Wine Up’s” has a distinct lack of Carnival referencing. Words such as the Savannah, bacchanal and even the word carnival itself are marked absent.

These missing traditional Soca words really place this song outside of the norm.

CLOSING

To end, genre is much more than the music. Genre is a complex thing.  So I hope I have presented both sides of the argument in Kes’ “Wine Up” that shows when it comes to genre,

no side is wrong or no side is right.

Therefore,

“Wine Up”  Soca or Soca Impostor? The answer is:

BOTH!

*Many other genres use those chords but so too does Soca.

Looking Back at Bajan Party Past

Frequently in popular culture yesterday becomes the forgotten man.

Here is a video clip from Bajan pop culture past as calypsonian and I guess Soca singer, Bumba, destroys the party.

Seeing this now it is hard to imagine that guys actually played Soca without Mac Book pros and drum machines

but THEY SURE DID

It is also hard to imagine a Soca song such as this causing such HYPE

but IT SURE DID….

Congaline 94!

A throwback if there ever was one!

#RIPpartyinglikethis.

Riding Cow – Dancehall Prepared Piano

“If you can’ find horse, ride cow,” is a saying we have in Barbados. It means that if your ideal tool is not present; you have to improvise.

Teaching in a public education system in a 3rd world country means that riding cow happens regularly. Sometimes cow jockeying produces unexpected results such as in the videos below.

The videos you will see were made on the piano in the performing hall at the only tertiary level music institution in Barbados. The piano is busted and terribly out of tune.  However, because the strings in the lower register are gone, they produce a percussive sound that is very close to a prepared piano. The prepared piano sound comes from adding objects onto the strings to get different textures. For those of you unfamiliar with how that works watch and listen below:

In my videos, I played a variety of dancehall numbers as that music inspires me.

Enough program notes though, here are the videos. First up is Clarks by Vybz Kartel and the other is a Dancehall improvisation piece. Enjoy!