It is not often that Barbados gets to speak to the British Virgin Islands Islands on a cultural level.
Here are some photos from a Jazz workshop at the Errol Barrow Centre for Creative Imagination, where the two territories had that dialogue.
They were joined by other dancers from the region.
This is what Carifesta XV Is about.
I caught L’acadco from Jamaica as part of my work with the CARIFESTA media team. This group
Here are some shots of the night as they brought folk and traditional Jamaican movement to the stage.
On Day #2 of Carifesta XV, I attended Saltwater Tongues: We Came from the Sea at Browne’s Beach.
I really enjoyed this concept, which brought together different folk dance groups, theatre and spoken word artists to a public space.
Here are some of the images from that day.
Enjoy!!!
Carifesta is in Barbados, returning after 8 years.
As I continue to explore another aspect of art as part of the media team, here are some of my photos from this year’s parade.
If you are in Barbados, COME OUT!
There is a lot going on!
Today has been a busy year one where I promised more blogging but instead was between the Handel’s Caribbean Messiah and the BFA and BA programs.
Well for those that pass through here, I want to wish you a happy new year from my Cuban as well as Barbadian Handel’s Caribbean Messiah teams.
Happy New Year everyone.
Welcome back to my series of Crop Over musical periods. The last period, Ancient Crop Over Music, looked at the music that was part of the festival after its re-introduction in 1974. This next stage is one of the most important ones in the Barbadian music period, and for many, it is seen as the Golden Age.
The Blue Ice Years
The Blue Ice Years is the period where Eddy Grant, from his Blue Wave Studio in St. Philip and Ice Records, his label, dominated Crop Over. He was responsible for the songs that bossed the Tune of the Crop, which are the songs most frequently played at Kadooment, which is the final day of Crop Over.
Boots – The Mighty Gabby
This 1983 release from the Mighty Gabby was massive, not only in Barbados for Crop Over but throughout the region. In fact, it did the unthinkable for a Barbadian release then and became very popular in Trinidad. Boots is also typical of the Grant production approach of that time, with back-beat drums, minimal use of horns, and comparatively sparse bass lines. This song did not win the Tune of the Crop for that year, but it remains one of the classic Crop Over songs of all time.Â
Sousy – Director
Produced by Eddy Grant and arranged by trumpeter Ricky Brathwaite, this song was one very popular in 1985. The rhythms were more typical of other soca offerings in the Caribbean at the time, and it didn’t have the Grant production stamp of the period, however, the durability (it was remade this year by Barry Chandler) and the impact of this work can not be denied.
Mr. T, Stinging Bees, More Grynner- Grynner
When it comes to popular works from the Blue-Ice Period, Grynner’s songs are definitely the ones to be noted. Grynner was the undisputed Tune of the Crop artist of the 80s, and these three songs won from 1983 to 1985. All of them bore the Eddy Grant style, with the back-beat rhythms from American music and/or the bass and harmonic minimalism.
Summary
For me, the Blue-Ice Period is the most nostalgic era of Crop Over for older Barbadians. It was not only defined by these iconic sounds and songs, but also marked a significant shift in the festival’s status. This was a time when the tent system was thriving, and Crop Over transitioned from the fringes to being a truly national festival.
So, this year marks the 50th anniversary of Crop Over, and what do we academic types do with art that has been around a long time?
We analyse it and classify it.
Like other classification systems, there is no one cut-off point; instead, each one flows into the other.
Let me declare my hand now; these periods will deal with areas of creativity within Crop Over, which, in the case of Barbados, are mostly within the soca area (which really starts to come in the 2nd Period)
1st-period Ancient Crop Over Music – 1974-1982
Music of the earliest Crop Over falls under here. The genre of the period is dominated by calypso. In short, this time is mainly based on Barbadian singers, musicians, and producers copying the music from Trinidad.
Key songs from this time:
The Mighty Gabby’s Mr. Harding from 1979.
The drum beat and the melodic construction from this song are all within the typical Trinidadian party calypsos of the 1970s. The instrumentation with the prominence use of “brass” (trumpets and saxes) also makes this a direct copy of what Trinidadian arrangers were doing then.
A similar work from this “Ancient Crop Over Music” time is Viper’s Ting Tong.
Not to sound like a stuck record, but this song, too, displays the characteristics of the Gabby song I posted before. I also want to highlight how melody and harmony work from this Ancient Crop Over Period. There is harmonic movement, and the melodies are less repetitive, especially in the choruses.
This song, Mr Harding from the young artist Red Plastic Bag, comes from the Pic-O-De Crop Competition. This competition is where the heavier lyrical content songs come to be judged in front of a panel, with a winner crowned the calypso monarch. The tempo and the extensive, and I mean EXTENSIVE, verses were typical of these songs, called social commentaries, from the Ancient Crop Over Music period.
The final song I want to post from this time is Jack from the Mighty Gabby. This song also entered the Pic-O-De Crop competition in 1982, but it is a far more uptempo song than Mr. Harding. The verses are shorter, and the melody is much more repetitive despite dealing with a social issue. This song marks the end of this period as the next period began to establish an indigenous Barbadian soca sound.
Catch me on the next blog post for part II – The Blue Wave Period.
Bonus Ancient Crop Over Music Song – Romeo’s Brother Fuzzy
Here is a video to go with the article “White People Can’t Dance” currently on this blog.
Enjoy.
Crop Over is finished for 2022.
Here is my personal highlight:
the Barbados National Youth Steel Orchestra, led by Lowrey Worrell doing my arrangement of an Alison Hinds medley sung by Ambassador Alison Hinds herself.
Here is to a great Crop Over 2023.
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