Crop Over 2017 – The Lazarus 5

The early results from the Soca competitions are in.

This means that Barbadian radio rotation will now be based around the competition songs chosen to go forward

leaving the other 600 to die.

Before these songs go into the afterlife altogether though, let me try to keep five of them alive. Here is my Lazarus 5 of Crop Over 2017. a.k.a 5 songs that didn’t make it into the next round of competition.

  1. Makka Tree – Vybz I Love

I was introduced to this guy earlier this year when my Caribbean Ensemble from the Barbados Community Collge did the National Cultural Foundation’s Cavalcade. I was immediately blown away by his voice. Check this one produced by Quantum Productions.

2. Jafar –  Bang

Like Makka Tree, I met this guy in person on the Cavalcade gig. This Bajan Dub song, although not progressing further, has all the qualities of a really good Bajan Dub song.

3. Aidan – Life Nice

This song, written by the Waterstreet Boyz and produced by super-producer Chris Allman,  is in the tradition of the modern Ragga Soca. With a great hook and super saccharine melody, it should not be thrown on to the rubbish-heap. A good rendition by Aidan as well.

4.  Chenice – Sweet Carnival

Like Life Nice, this is a modern Ragga Soca. Chenice does a good job here as well.

5.  Contone – Come Back Tomor

Contone has been around a long time and has of late been battling his own demons. This year he reconnected with long- time producer, Anderson ‘Blood’ Armstrong to produce this. Like My Car Brek Down and 2 Sir Grantleys, this is Contone at his Bajan Blues best.

These are not all the songs obviously.

And I would be glad to hear more suggestions.

What are your five?

Special mention.

Here is my group’s offering featuring the super talented Jabari Browne.  We didn’t compete with this but keep checking it anyway.

 

 

 

Advertisements

My Bajan Dub – Crop Over 5

Bajan Dub is a big mover and shaker for Crop Over this year again.

If you want to call it Bashment Soca then fine…

Here is the Top 5 anyway.

5. Lady Essence – Fluffy Gal

The most prominent lady of Bajan Dub is back. Here she is keeping it like she normally does with Fluffy Gal.

 

4.  Stabby – Wukkist

Stabby has actually been around for quite a while originally doing the “original” Bashment Soca. This beat is one of the freshest in Bajan Dub.

 

3.  Stiffy – Tip and Ben Ova

Stiffy to me is one the biggest talents in the genre of Bajan Dub. Like Stabby, he came to prominence through Soca. This one has another fresh beat as well.

 

2.  Scrilla and Faith – Gimme

This one is the only duo entry and could have easily gone to Coopa Dan and Rhea’s “Bare Trouble.”* This one gets a slight nod from me but not by much.

 

  1.  Scrilla – Wood

This song is perhaps the biggest Bajan Dub song for the year and once again features Scrilla doing what he does best.

 

Enjoy theBajan Dub competition if you are in Barbados and if you are overseas please continue to watch this cultural space.

*https://www.youtube.com/watch?v=wZG6UrmFdBA

 

10 Apps (music and otherwise) and Websites That I Can’t Live Without

Like most artists living in tiny countries I do many things within my discipline.

To do that I need help

So here are 10 pieces of technology/websites that I cannot live without.
1. Sribd

I came across this website as I was doing my PhD and scouring the web for articles. After singing up for 1 article,  something that I thought I would regret, I realized that this site had so MUCH more to offer than just obscure academic material. Referred to as the YouTube for text, this site has music arranging books, songbooks and more importantly, transcriptions of some very difficult songs.

When I first joined it had copyrighted material.(Illegally of course) However, like YouTube, the publishers caught up with Scribd. It remains a great resource nonetheless.

2. Allmusicguide

I teach popular music courses part-time at the tertiary level. The Allmusic guide is the stop I make when I am trying to work out the new artists my students are talking about. It is also a good place to fact-check some of the music of the greats.

3. Wikipedia

Even though it is the most quoted website for lazy students, Wikipedia is still a good place to start when trying to learn anything. It has enough starter-up information, and in some cases quite a lot more for you to grasp any concept.

4.  Evernote

I do many things including running a rather ambitious music youth development group called the 1688 Collective. To keep my life in order, I use Evernote. This app goes across every imaginable OS and its ease of use means that I keep not only reminders, but pdfs and pictures for all the necessary activities.

5. Music Registry (Google +)

Google +, despite parent company Alphabet’s best efforts, continues to be left in the distance by Instagram and Facebook. However, on Google + I follow a fantastic blog called Music Registry. This blog posts all the latest developments within the recording industry as well as really good interviews. I don’t know how they pay themselves as the pluses never really seem to be overwhelming, but this blog is definitely one of the best.

6. WhatsApp for PC

On a tour last year one of my band mates showed me this feature of the ever popular WhatsApp. Since then I cannot describe how grateful I am to him.  This feature which mirrors the mobile messaging service, has postponed my carpel tunnel syndrome.

7. Dropbox

I came up in the early days of computers with highly unstable drives and even more unstable floppy disks and I mean the 5 and 1/4 inch variety. Cloud storage for me was a dream come true where devices could be synched and you could still have your info even if your hard drive got in a fight with the motherboard. Dropbox is one of the easiest to use and is compatible with multiple apps. I store all the music from my ensemble 1688 Collective on here which puts my mind as ease.

8. Facebook

Even though it is quickly becoming the granddaddy of the social networks, most people where I live, LIVE on Facebook. It is also the space where I communicate not only what is going on professionally with my life, but  also with the over 50 plus members of 1688 Collective. Without Facebook I do not want to think about the amount of messages and calls I would have had to have made to get even one rehearsal off the ground.

9. Microsoft Office Suite

If Facebook is a grandfather, then Microsoft Office Suite is an Egyptian Pharaoh. The most dominant set of programs when it comes to productivity for PC. I obviously spend a lot of time here.

10 Finale

Finale is the first scoring program I learnt. As I do a lot of arranging and composition it is perhaps one of my most used programs. Frequently frustrating but indispensable, I call it my troubled partner.

*no ranking order.

*special mention to YouTube and Google Chrome.

Looking Back at Bajan Party Past

Frequently in popular culture yesterday becomes the forgotten man.

Here is a video clip from Bajan pop culture past as calypsonian and I guess Soca singer, Bumba, destroys the party.

Seeing this now it is hard to imagine that guys actually played Soca without Mac Book pros and drum machines

but THEY SURE DID

It is also hard to imagine a Soca song such as this causing such HYPE

but IT SURE DID….

Congaline 94!

A throwback if there ever was one!

#RIPpartyinglikethis.

Just so Bajan Dub become Bashment Soca???!!!!!

Crop Over, Barbados’ major festival, has not been a place of musical surprises for some time now.

However, 2016 has produced a big one for me in the complete re-definition of the Bashment Soca genre.

In a previous blog post, I identified the common use of the term in Barbadian music circles and gave musical examples for the uninitiated. For those who missed it the link is below.

https://stefanwalcott.com/2014/05/23/what-is-bashment-soca-crop-over-blog-1/

Here also is soca artist Gorg speaking on Bashment Soca back in 2011.

The conversation is about the song below.

 

From the interview, we can hear Gorg reference Bashment throughout as this was the common term used to talk about the variant of Soca heard above.

However, this is not so anymore.

This year, a Bashment Soca competition has started which has music not sounding like the above, but as below.

 

 

And below

 

The examples above I considered to be Bajan Dub, a genre that I posted about with a Top 10.

https://stefanwalcott.com/2014/02/05/top-10-bajan-dub-dancehall-records-for-beginners/

Bajan Dub  has its routes/roots planted in the early 80s and had a resurgence post 2010. But this year it seems that is ALL now BASHMENT SOCA!

What the Bashment Soca/Bajan Dub has shown therefore is that genre is a very FLUID thing. Despite what many think, one cannot proclaim a genre and expect it to stay the same. It also shows that the creation of a genre comes from different places including sponsors!!! So despite what I say here, the fact that a lucrative competition has come about means that those that said Bajan Dub before will definitely be singing Bashment Soca now.

So to answer the title:

Question: Just so Bajan Dub become Bashment Soca???!!!!

Answer: YES!!!!???!!!!!