Handel’s Caribbean Messiah #global

I am very proud to announce that Handel’s Caribbean Messiah has been selected for the Handel-Festspiele in Halle Germany for 2021.

The Handel-Festspiele is an annual festival celebrating Handel’s music in his birthplace by local German and international acts.
I am incredibly moved by this selection as we were chosen based on my re-imagining, orchestrations and in some cases compositions, with the performances executed by a 100% Barbadian cast.

The fact that this was done by a panel of Handel experts makes the achievement even more rewarding. Also, the fact that the negotiations began through my completion of the Caribbean Export process, which involved some sacrifice, made me more reassured in my music business decisions.

 

2019 HCM Messiah Poster


Handel’s Caribbean Messiah is one of the only locally created indigenous works that brings the strands of Caribbean culture together and even though we might not make the last financial hurdle to reach Halle, the fact that it has been looked at as having international quality by unbiased experts shows how we should rely on our own confidence as Caribbean cultural practitioners in what we do.
I encourage all who are in Barbados this week, December 20-22nd, to come out to the Frank Collymore Hall and see this production that will soon be leaving these shores by the 100% Bajan ORIGINAL cast.
Thanks to my team who supported the dream and to Fran Wickham and Ronald Grant whose support allowed for the first staging of the production in 2017. Also to Carol Roberts who was enthusiastic about it when it was only an idea and suggested the use of a Bajan nation language narrator who is now Jabari Prince Browne.

Workshops and Stefan Walcott

I love doing workshops.

Here I am at Edna Manley College in Jamaica speaking to how Dancehall music can be used as melodic and harmonic material for Jazz large ensemble.

The case study here is Summertime, the Vybz Kartel composition mixed with the more well known Gershwin one. The students are using the fused melody to go through various Caribbean styles as well.

Enjoy

Those who can’t, teach. Or should that be those who can, can’t teach?

The old anecdote, those who can’t, teach, has been bandied around in music for quite a bit. 

The question I have however is, “can’t do what?”

Teaching music requires a depth of knowledge.  Another crucial skill of any music teacher, especially those in emerging areas such as Caribbean music, is the ability to TRANSLATE musical language into spoken language.

This part is quite difficult.

To demonstrate this difficulty check this clip from Sly and Robbie as they attempt to explain what they do. 

What Sly and Robbie lack here is not intelligence but instead the ability to translate the language of sound into the language of language. So while they are brilliant musicians and obviously highly intelligent, the ability to put what they do into ways people can understand is not something that comes easy. *

So remember all and sundry that because a guy is a genius musician it does not make him a genius teacher. Also music teachers remember your task is a difficult one and never feel inferior because you never graced the big stage. We are all needed to keep #musicaLive.

*What could of happened instead is these guys communicating through playing and others trying to copy them; similar to how oral cultures pass on their knowledge orally/aurally.